by Mads – March 7, 2020
This project started with a very clear idea in my head.
I wanted a car I could really work on, modify, and experiment with — but without touching something historically significant. No rare model, no preserved collector piece, nothing that would feel wrong to take apart.
More like a blank canvas that already has some history, but not too much weight attached to it.
Something I could learn from without hesitation.
Over the years, I realized something simple.
The more Porsche 911s I owned, the clearer it became what I actually wanted from one. Not in theory, but in practice. What I enjoy driving, what I enjoy building, and what I don’t.
For this project, I narrowed it down very specifically.
It had to be a 1977 model year.
Not because it’s special in the traditional sense, but because it sits in a very specific technical window. Galvanized body, more rigidity than the earlier cars, still with small details like pop-out rear windows, and no unnecessary modern additions.
And it had to be a non-sunroof car.
Partly for structural simplicity, partly because I had this idea of a more focused, almost race-inspired street car in mind.
So the search was very specific. Almost unnecessarily specific.


Eventually, I found it in Kitchener, Ontario.
Or more precisely, someone pointed me in the right direction.
I booked a flight to Toronto, arrived, and looked at the car the same day.
It was a 911S, originally a California car that had spent most of its life in the San Fernando Valley.
On the outside, it was exactly what I was looking for: tired, neglected, slightly misunderstood. The kind of car that doesn’t try to impress anymore.
And that was exactly the point.
I bought it on the spot.


Visually, it was rough.
Not in a structural sense, but in a way that shows years of neglect, changes, and different hands working on it.
The kind of car where you don’t start with admiration, but with assessment.
Inside, it was actually better than expected. The interior was mostly original, apart from a few details like red gauge faces. The exterior paint wasn’t original either, even though the original color had been silver as well.
There were aftermarket body elements from Strosek, including different fenders, bumpers, and lighting. More aggressive, more modified, but not without some interesting design ideas.
At that point, I wasn’t overly concerned with cosmetics.
What mattered more was what was underneath.
The car was not running, but that didn’t change the decision. I already knew it had a 3.0 SC engine, and that was enough to understand what kind of mechanical base I was working with.
Transmission was SC as well, and it even had a factory limited slip differential, which made it more interesting than expected.
So even though the car looked rough on the outside, the core was actually quite solid.
And that changed everything.
What I saw at that point wasn’t a finished project yet. It was a base.
Something that already had modifications, history, and layers of use, but still enough originality to shape it into something else.
My ideas for it were already forming at that stage, but none of that mattered yet. First, I needed to understand exactly what I had bought. And that meant one thing. Taking it apart.


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